Habak - Mil Orquideas... LP (American-Press, 3 Versions)

23,00 € *

inkl. MwSt. zzgl. Versandkosten

Dieser Artikel erscheint am 9. April 2025

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    Please note that if you pre-order an item along with any other non pre-order items, this means your entire order (including items that are not in pre-order) will not be sent out before the pre-ordered record arrives from the pressing plant. if you want your available stuff before that, please contact me and i will send you the total for the seperate shipping! (DE)

Weiterführende Links zu "Habak - Mil Orquideas... LP (American-Press, 3 Versions)"
MEXICAN IMPORT!!!! PRE-ORDER STARTS: 14th of February 2025 RELEASE DATE: 9th of April 2025 (my... mehr

MEXICAN IMPORT!!!!
PRE-ORDER STARTS: 14th of February 2025
RELEASE DATE: 9th of April 2025 (my birthday)

Pressing Details: 250 Gold & Black Smash, 250 Burgundy w/ Black & Gold Splatter, 250 Burgundy & Black GalaxyViny.  LP comes packaged in a deluxe gatefold jacket with matte finish and gold foil embossing.

Artwork by Eric Wolfe Sahlsten

The searing passion HABAK plays with is both matched by and sourced from their desire to imagine a different future, unmarred by the struggle of surviving life under capitalism. The Tijuana, MX band’s crust melódico is stronger and more intricately written than it’s ever been on their third LP and sixth official release, "Mil Orquídeas En Medio Del Desierto" (A Thousand Orchids in the Middle of the Desert). 
Following their 2015 debut "Insania" and 2020’s "Ningún Muro Consiguió Jamás Contener La Primavera", Habak’s "Mil Orquídeas En Medio Del Desierto" expounds on a sound whose influence feels equal parts influenced by d-beat creators Discharge and atmospheric post-hardcore legends Envy. Such a sound could only be born of the worldwide underground, of the global anti-capitalist movement that DIY has become. It is fitting then, that their latest album be a work created entirely by the band themselves, with production, mixing, and mastering by Habak drummer Patrick Alexander at Cacho Studio in Tijuana in the fall of 2024. 
Habak is at the point of dynamic mastery. Nothing is done without intention, every upbeat part is prefaced. Nothing fast happens without introduction, and certainly not by a hastily added drum fill. Habak are too sophisticated for that, especially for a band combining two genres both not exactly known for such discernment and poise. Likened to early 2000’s Spanish emocrust, Habak’s playing from guitarists Juan and Eduardo is as gorgeous as ever, but the songwriting accentuates the beauty of such melodies in a way still unachieved by many of their peers. Rounded out by bassist Alejandro and vocalist Alex, the band forms like a diamond with perfect clarity, shining with a beauty that only an ensemble refined by over a decade of pressure could. 

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