Pressing Details:First Press (30.04.2017): 300x blue + 700x black, all in 180gram, gatefoldcover, 2 LP-sized inserts, Download Card, Artwork by Alex CF
2nd record by ARCHIVIST from the UK, DE and AT. Archivist is a six piece ethereal metal project, which follows the unwitting survivor of a massive ecological disaster. The last human alive, yet in relative safety aboard the only remaining ark jettisoned from a dying Earth, she begins to record her memories of the world left in turmoil by humanity's shortsightedness and greed
Clocking in at a formidable sixty-eight minutes in length, Construct is the second album from Austrian/English/German collective Archivist, consisting of ten intricately composed tracks of audacious, atmosphere-drenched Post-Black/Post-Metal/Post-Rock proggery designed to infiltrate and stimulate both the body and the mind. featuring members of LIGHT BEARER, FALL OF EFRAFA, ANOPHELI, THURM, MOMENTUM...
Pressing Details:200x color + 300x black, all in 180gram, gatefoldcover, LP-sized inserts, poster, Download Card, Artwork by Alex CF3rd record by ARCHIVIST from the UK, DE and AT.
THIS COLOR IS ONLY AVAILABLE FROM ALERTA ANTIFASCISTA RECORDS-First Pressing on 180g vinyl-Heavy-weight jacket with black inside flood.-16-page A5 booklet-Including Download Code-Coloured Version is limited to 100 hand-numbered copies & comes with obi strip & woven patch
Restock! Insgesamt sind sieben neue Songs drauf. Gesamtlänge: über 60 Minuten. Musikalisch alles beim Alten: Laaaange Songs mit ruhigen, teils epischen Phasen um dann umso lauter und energetischer auszubrechen. Vielleicht zwischen Explosions In The Sky, Mogwai, Daturah auf der einen und Envy oder Fall of Efrafa auf der anderen Seite. Alle Platten mit Downloadcode. Fettes Gatefold-Cover. Geniales Artwork. Fette Aufmachung. Total schön das Ding. Farbiges Vinyl!
ASEDIO with people from EKKAIA, NASHGUL, BLACK PANDA etc. deserve on their 1st full-length "El ultimo invierno" a furious mixture of classic old d-beat hardcore-punk with modern Swedish death-metal, epic open melodies that will give you creeps. This full-length takes one step deeper into the dark realm that the above defunct bands has created. ASEDIO is heavy metallic, with crunchy guitars, harshly growled and screamed vocals and a constant d-beat of the drums. Imagine a mix of early DISCHARGE and AMON AMARTH
this is ASH BORER'S 2009 demo, remixed and masterd at mammoth sound studiosdemo review from sputnik:"Ash Borer's brand of atmospheric black metal, or as it's being called "Cascadian black metal" is absolutely incredible. Might as well start off with the most important aspect of this album and that's definitely the instruments.The guitar riffs and tremolo picking definitely have the biggest effect on this demo. They are used to create one hell of an atmosphere. When you hear some of the riffs on this album, they're going to put you in a trance like state. Now with only two songs on this album, the first being about 14 minutes and the second being about 11, you're going to hear the riffs repeated plenty of times. Now for some black metal bands repetitiveness can be bad, well that's not the case with Ash Borer. The riffs are extremely catchy and will stick in your head long after you listen to this album. Drumming is pretty standard for a black metal album. Now with atmospheric black metal you should know that it's all about atmosphere (obviously). The drums aren't really meant to stand out over the guitars and they really don't, but it's not like it's the same beat over and over. There's enough variety in the drumming to keep the listener entertained for the whole 25 minutes of the demo. Fast and slow parts are present on the album and the drums vary with that. Vocally the album is pretty unique. Now the first thing you need to know about the vocals is that they aren't at the forefront at all. They're very low in the mix and you have to listen hard to even hear them under the riffs and the drumming. Even with that being said, the vocals are extremely well done. His voice is extremely high-pitched and what he does probably can't even be considered a scream. It's more like a high-pitched howl of agony or pain. There's plenty of emotion in this guy's voice and he executes it extremely well into the music. Like I mentioned though, you have really sit down and listen to the album closely to hear his voice at all because it's buried beneath the wall of sound that the guitars give off."
Here's the latest of full on d-beat käng from the lovely legends Asocial. Recorded September 2020, 4 new tunes and 4 revisited classics. As they always deliver a total mayhem when it comes to their live performances it's definitely likewise when it comes to their recordings. Never will there be any disapointmets when it comes to Asocial and their merciless raw punk madness. Aldrig som er!
das neue Album dieser schwedischen Death-Metal-Band! Meilenstein!!! - 2×10” Boxset (Limited to 1000) - Dark Green 180gr Gatefold (Europe, Limited to 500) - Black 180gr Gatefold LP (Unlimited)
Pressing Details: 200 pro done TapesThis record was written and recorded DIY in 2020. While the world fell apart around us. While the so called "world leaders" actively worked to violently put down popular dissent against their bigoted systems of imperialist control. While neighbors turned on each other and purposely breathed plague in their fellow humans' faces out of a misguided sense of rebellion. While the bosses forced us all back to work and the government shamed us for any social contact that didn't keep the gears of capitalist modernity turning. While millions suffered and died. While the world moved on.
The Light Escaping is the second LP from Autarch. 6 songs of sci-fi influenced emotive, melodic crust with themes of loss, resilience, and defiance in the face of ascendant fascism.
Sweden’s Legendary D-Beat Band AVSKUM return with their first new album since 2008, “ En Annan Värld Ar Möjlig" ( Another World Is Possible). Their fifth album has 17 new tracks of rage filled D-beat hardcore supporting Indigenous rights, Self-determination and attacking Fascism, Militarism, Misogyny and political corruption. Avskum’s sound has it’s roots in their 1982 origins at the earliest stages of Swedish hardcore punk, with harshly screamed vocals and quick blasting songs, underlined over the ensuing decades by a rock driven heaviness with searing guitar solos, thundering bass lines and rampaging drum attack. Recorded by Kenko at Communichaos Studios, the album features guest vocals from Tompa from At The Gates / Disfear, TB from Asocial / Uncurbed and Mattis from Makabert Fynd. With two stunning cover illustrations by Jordan Barlow to hammer home their vision of empowerment and resistance.
Fragile and monumental soundscapes between 70ties Krautrock, 80ties Proto Metal and Psychedelic Ambient, Drone and Doom aesthetics! Audio Mastered by James Plotkin at Plotkinworks.com. Logo and Cover Artwork by Ammooamo.blogspot.com
Pressing Details: 150x limited color + 350x black 180gram Vinyl, Gatefoldcover, Download CodeDefining a new sense of heaviness and musical introspection with their sound, the czech doom/crust metal band have created another work of epic wonders. Darker and more bleak than anything the band have previously released, BAESTIEN strip their sound down a bit, while at the same time building on something atmospherically colossal and vast. The sounds of barren, desolate wastelands where the search for hope lies distant… but not entirely non-existent.On one side its dark and atmospheric but on the other, the brutal d-beat riffs crush you into a pulp! Amazing album!
Pressing Details: 250x limited clear with gold, LP-sized Insert
Baestien is a Czech post metal & crust band with strong political hardcore punk roots from Sokolov/Cheb. Formed in 2016 from the ashes of Albion, Le Bain de Maid and Herese. what you get is some intense and heavy stuff. I tend to put these guys in the same sorta bracket as the likes of, Fall Of Efrafa, Neurosis or Cult of Luna or bands like that however there is a far more hardcore element highly prevelant in their music and the sheer heaviness of the band will bring them many fans from who like heavy and beautifull aranged music. This is dark and heavy and at times epic!
Ab dem 22.4.2014 lieferbar! Im Original erschien "From Zero To Hero And Blackwards" als CD-R in einer handnummerierten Kleinstauflage von 100 Stück, 2003 auf dem deutschen Label Ecocentric Records. Jetzt als limitierte 500er Auflage zum ersten Mal auf Vinyl! Die Grinder von Bloodred Bacteria sind ja durch ihre recht zahlreichen Veröffentlichungen, u.a. Split releases mit Total Fucking Destruction, Swarrm und Agathocles, recht bekannt geworden. Zu Bastard Noise muss wohl nicht viel gesagt werden...Bastard Noise gründeten sich 1991 als Nebenprojekt der PowerViolence Band MAN IS THE BASTRD und machen mit ihren meist selbstgebauten Instrumenten Industrial. Jedenfalls nichts für schwache Nerven...Der Song auf dieser auf nur 500 Stück limitierten 1-seitigen 12", fängt mit Bloodred Bacteria an und wird nach der Hälfte von Bastard Noise fortgeführt. Coole Idee und dieser Song ist ein absoluter Killer. Die unbespielte B-Seite wurde im Siebdruckverfahren verschönert...
Pressing Details: 100x grey Vinyl, 100x red Vinyl, 300x black Vinyl, 180gram Vinyl, printed innersleeve
A recent release out of Murfreesboro, Tennessee, Battle Path play an amalgamation of various extreme metal subgenres. As evidence by the shrieks, moody atmosphere and fast-picked buzzing, the overarching influence is black metal, but the band gives so much attention to other influences that this EP has something for every metal fan, unless continuity is your thing. Mesmerizing and pounding, the opening track fits right in with the current state of non-traditional black metal; swirling tremolo riffs mix with slightly punkish drums to create a landscape over which vocalist Todd Harris can unleash his piercing rasps. And just when you find yourself in the abysmal groove of what the band offers, they quickly dive into a doomed breakdown that transitions into atonal explosions.
This is the anthemic follow-up to BEHIND ENEMY LINES’ brilliant first two albums. This contains the ferocious sound of their previous efforts along with a powerful Scandi-crust machine-gun-like punch and of course the scathing, hyper-political lyrics that aren't afraid to name names and list addresses for those responsible for fucking over the world. In addition to the normal CD jewel case and packaging, this package includes a separate perfect-bound, 64-page book with the lengthy lyrics, dozens of political posters and additional artwork. If you do not already know BEHIND ENEMY LINES then you are missing some of the most intense, anti-authoritiarian punk rock of our ages! BEHIND ENEMY LINES is made up by veteran members of some of the most influential American hardcore/punk bands of the last decade (AUS-ROTTEN, REACT, PIST, CAUSTIC CHRIST, etc.).
In 2010, guitarist Matt Mewton (also of Brooklyn-based black metal legion WOE) joined forces with bassist Lesley Wolf (of Brooklyn-based blackened sludge band, MORTALS), and drummer Jacques Johnson. Realizing their doomed black metal style struck a chord, the trio began demoing material and playing live. After two self-released demo releases, a blistering and massive two song contribution to a split release with ANICON, and a limited edition EP, BELUS forged a bond with Vendetta Records to release their latest and most shuddersome offering to date. Apophenia delivers seven new songs packed to the brim with merciless, rippling, and suffocating atmosphere. Each song is crafted with authentic, proficient guitar and bass work that focuses on massive riffs without studio trickery. Ritualistic and steadfast guitar and bass tones speak their own languages as they slither throughout Apophenia. Clever and intuitive drumming drive merciless triplet-blasted fervor into each song and pumps life into the bleak and dark pulse of the world. Apophenia brings agonizing, indignant, and thunderous anthems of unwavering whispers of dissonance through an immortal storm. The unrelenting, bleak aura of Apophenia puts forth an acrimonious pall while reaching for serenity.
Bestialis is the expression of a long-term artistic and spiritual conspiracy between Lastaurus (vocals) and Absorber (guitars). Both have been making music for 20 years and both are part of North-Western Germany’s Culthe Collectiv/Culthe Fest (Münster). Musically rooted in traditional black metal, however with a sympathetic ear for new, progressive, and strange tunes, Bestialis unveils a distinct and refreshing approach. Extraordinary arrangements and melodies that are inspired by the rich heritage of the genre as well as different cultural origins (e.g. traditional Middle Eastern music), put into contemporary black metal, are accompanied by percussions and acoustic guitars with a wide range of vocals on top, encompassing screams, growls, clean and throat singing. The result is multifaceted black metal that is rich in tune, rhythm, and detail, full of twists and turns between heavy and more atmospheric parts. All of this comes in a modern and properly produced, yet organic sound. Lyrically, Bestialis stands out due to a specific concept whose basic premise is to understand humans as – primarily and in the most positive way – animal beings, and thus, at its essence, to explore, proclaim and worship the bestia or beast in man. Ritus offers an introduction to this concept and puts into narrative bull cults in prehistoric times and Persian mythology (Epic of Gilgamesh in a reinterpretation). The debut full length (WIP) will continue this subject matter, drawing inspiration from Greek, Egyptian, Roman and Indian mythology, literature (e.g. Dürrenmatt) and ancient history. In analysis and deconstruction of old wisdom, with the purpose of creating a strong individualistic and someway animalistic world view beyond genre cliches, old texts and embodied philosophical ideas are reflected and reworked for the present and the future. Bestiae sumus. And the hunted become hunters.
Birds In Row are a melodic and abrasive band from Laval, France. Blurring the lines between hardcore, punk, and related sub-genres, Birds In Row offer something of substantial weight to their listeners. Collectively carrying somber hearts and poignant souls, they navigate through melancholic seas to shape beautifully hook-laden songs unlike anything else out there today. “Personal War” is a seven track outpouring from Birds In Row. First proper song “Torches” breaks into a sprint from the get go. Drenched in expressive guitar work, it tells the tale of life’s light overcoming death’s darkness. The race continues with “O-Dear” and “Weary”. Two musically infectious songs that are lyrically entangled in the complexity of love. “Worried” then wanders into view as a beautifully melodic piece, slowing to an introspective shuffle before the chaotic “Snakes” picks up the pace again. All of this leads to emotional closer “Marathon”. A song that serves as Birds In Row’s declaration of war on the world of ethical and emotional compromise.
Über den Weg der Melancholie entstehen Songs voll wunderschöner Hooks. "You, Me, & The Violence" nennt sich das Debütalbum, zuvor erschien eine EP. Das Album beginnt mit "Pilori", einem akustischen Volltreffer, der inhaltlich die individuelle Unabhängigkeit trotz gesellschaftlicher Zwänge beschreibt. Thematische bleiben Birds In Row auf diesem Weg und bringen ihre Missachtung und ihren Kampfeswillen zum Ausdruck. Und just in dem Moment, in dem man den Eindruck bekommt, das Ganze könne unter zu viel Gefühlaufwallungen zusammenbrechen, überrascht die Band mit einem Moment musikalischer Klarheit ("Last Last Chance"). Birds In Row erweisen sich als Meister im Umgang mit Dynamik, ebenso durch ihr Wechselspiel aus Melodie und temporeicher Härte.
€21.00*
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